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Immaculate (2024)

Immaculate episode thumbnail

Combined reviewer rating

2.5 / 5 stars

2 reviewers · Average of available ratings

Episode ratings

MattOriginally 5 / 102.5 / 5 stars
DanOriginally 5 / 102.5 / 5 stars

Matt on Letterboxd ↗

3.5 / 5 stars

Matt’s Letterboxd score, separate from the episode verdict.
Checked October 8, 2026.

Watch the discussion

This discussion includes spoilers.

Watch the episode on YouTube

The written companion

Draft companion · Awaiting editorial review

Immaculate: A Strong Finish Cannot Hide the Questions Before It.

Dan’s first question about Immaculate is whether Sydney Sweeney can carry a horror film. By the end of the conversation, the answer is more encouraging than his opinion of the movie itself. He finds force in the final stretch, especially in the physical intensity of her performance. His frustration is how long the film takes to reach a level that interests him.

Matt comes in curious but without enormous expectations. The proximity of The First Omen gives him a comparison he cannot entirely shake, though he tries not to let it take over the discussion. Both films point toward religious horror, and Immaculate’s opening initially leads Dan to expect a supernatural threat. The direction the story eventually takes makes him question how well those early signals fit what follows.

That mismatch matters more to him than simply guessing the secret. He talks about images and incidents that promise explanations or significance, then leave him unsatisfied. A frightening opening can establish expectations a film has to do something with. Dan feels this one introduces possibilities without developing them convincingly enough, and the conversation repeatedly returns to the gap between a suggestive image and a coherent story.

What holds his attention near the end is Sweeney becoming a more forceful presence. Without reconstructing the ending, his praise is for the rawness of the performance once the film allows her character to fight through the situation. He wishes more of the earlier movie had carried that same energy. Matt’s response is similarly qualified: this is not the worst horror film he has seen, but the familiar influences do not automatically add up to a satisfying whole.

The episode itself wanders through other recent horror releases before reaching Immaculate, which makes it feel like catching up with the hosts after a break. Once they get to the main film, the strongest question is about setup and payoff. A late burst of intensity can improve their memory of the experience without resolving everything that bothered them getting there.

Can a powerful final performance rescue a horror movie whose earlier promises did not work for you, or does it mainly expose what the rest was missing? Watch the Nightmares & Scares discussion ↗.

This companion withholds the film’s central secret and ending. The episode discusses both in detail.